Chapter 1 Introduction
1．1 Important Translators of Chinese Classical Poetry and Their Representative Works or Theories
1．2 Theories of Image Translation
1．3 Research Significance

Chapter 2 The Equivalence Theory of Translation
2．1 Major Presentations of Translational Equivalence
2．2 The Theory of Functional Equivalence by Eugene Nida

Chapter 3 Cultural Image and Its Translation from the Perspective of Equivalence Theory
3．1 Cultural Image the Soul of Classical Poetry
3．2 Semantic Equivalence of Cultural Image
3．3 Aesthetic Equivalence of Cultural Image

Chapter 4 The Strategies of Cultural Image Translation
4．1 Preservation of the Original Image with Cultural Overlap
4．2 Adaptation of the Original Image with Cultural Parallelism
4．3 Amplification of the Original Image with Cultural Deficiency
4．4 Omission of the Original Image with Cultural Insignificance

Chapter 5 Case Study on Cultural Image Translation
5．1 Case Study of Herbert Al]en Giles
5．2 Case Study of Arthur Waley
5．3 Case Study of Weng Xianliang
5．4 Case Study of Stephen Owen

Chapter 6 Conclusion
Bibliography